PUBLICATION LIST

Collaborative work, Art Direction,Book Design & Editing:

Editor in Chief, BLOOM magazine, Trend Union, Studio Edelkoort, Paris, 2006 – 2011.

Guest editor for VIEW ON COLOUR 27 and BLOOM 12. United Publishers, Paris, December 2003 - June 2004.

Edited and rewrote chapters and proposal for proposed English version of KATIA, by Nobuko Itozu, published by ART DAYS, Tokyo, 1998; translated by Kenji Yuda, Autumn 2002. 

Worked collaboratively with publisher Peter Hay, and art-directed, designed, and edited ON BIG FLOWERY HILL, book of photography with text by J. Hay, Two Rivers Press, UK, 2000.

Worked collaboratively with bauch+lizieri on all aspects of writing, illustration, layout, book design, editing, up to and including mechanicals, for AWAITING A LOVER, design gift book on love, Viking Studio, Penguin Putnam, New York, February 2000.

Edited and co-art-directed GRITS, an artist's book created by Nancy Bauch, New York, 1998.

WRITING: Books and Anthologies:

AWAITING A LOVER, fully-illustrated full-color design/gift book on love, collaboration of bauch+lizieri, published by Viking Studio, Penguin Putnam, New York, 2000. (Commercial Non-Fiction: BOOK)

An Inn Near Kyoto; The Happy Double Life of Setsuko Tanezawa; Mystic Mountains; Me Jane, in AN INN NEAR KYOTO, an anthology by New Rivers Press, Minnesota, USA,1998. (Creative Non-Fiction: Book Contribution)

SILK PIECES, artist's book produced by bauch+lizieri, New York, 1998. (Fiction; Artist's BOOK)

Blue Notes on the Samisen in Early Summer, THE BROKEN BRIDGE, an anthology by Stone Bridge Press, San Francisco, CA, USA, October 1997. (Fiction)

Tea; I Am Looking for Words; Bean Day, PARTY TRAIN, a prose poetry anthology by New Rivers Press, Minnesota, USA, 1995. (Prose Poetry: Book Contribution)

THE NEW BEAUTY, book published by Kodansha International, Tokyo & New York, 1995. Published in London by Boxtree Ltd., Macmillan Publishing, 1996. Illustrated by the author; pen and ink drawings. (Commercial Non-Fiction: Beauty: BOOK)

THE JAPANESE WAY OF BEAUTY, book published by Birch Lane Press, New York, 1993. Issued in trade paper as INNER PEACE, OUTER BEAUTY, Citadel Press, Carol Publishing, 1995. Published in British, German, Mexican, Brazilian, and Romanian editions. Illustrated by the author; pen and ink drawings with wash. (Commercial Non-Fiction: Beauty: BOOK)

The Blue-Green Seas of Forever, THE HOUSE ON VIA GOMBITO, an anthology by New Rivers Press, Minnesota, USA, November 1990. (Fiction: Book Contribution)

Writing, Literary Journals: Short Stories and Poetry:

Monk of the Daytime Moon, PRAIRIE SCHOONER, Nebraska, USA, Summer 1996. (Fiction)

A Small Shredded Dream of a Geisha; Dee Dee Po Po; Food; This Is the Day of Equal Light; The Day is Wedged In, PRAIRIE SCHOONER, Summer 1996. (Prose Poetry)

Writing: Essays, Articles, and Columns:

This list includes poetry and creative and commercial non-fiction along with design and trend writing. The non-fiction work listed covers a broad range: essays, reviews, interviews, translations, and profiles. Subject matter includes design, art, science, culture, horticulture, food, fashion, human behaviour, beauty, travel and adventure. Many of the essays take the form of natural histories of particular topics which are explored from many angles and interpreted for meaning anthropologically, aesthetically, and philosophically. PDFs provided upon request.

Desert Roses; Initiation; All is Flux; A Drummer in a Tree; A Lily When Walking; Quicksilver Girl, BLOOM 21: FASHION, Paris, Spring 2011.  (Creative Non-Fiction: Craft/Fashion/Innovation/Culture/Japan)

Greening the Green; Flying Lessons; Petal Palette; Child’s Play; Pretty as a Picture; Poetry in Pâtisserie; Nest of Light, BLOOM 18: ENCHANTED, Paris, Autumn 2008  (Creative Non-Fiction: Beauty/Colour/Trend/Fashion/Food/Craft/Art)

Tempting Bees; Botanical Animalism; Collage Couture; Dis-Covering Desire; Little & Big; Flower Sex Love Toys; Vamping the Berry, BLOOM 17: EROTICISM, Paris, Winter 2008. (Creative Non-Fiction: Fashion/Culture/Design/Erotica)

Gathering Green; A Leaf is Watching You; Botanical Eclipse; Ombres Chinoises; Leaf-à-Porter; Intrepid Explorer; World, BLOOM 16: FOLIAGE, Paris, Summer 2007. (Creative Non-Fiction: Design/Art/Photography/Fashion/Profile/History)

Bewitched by the Bel Objet; Bouquets of Emotions; suivez-moi-jeune-homme; Painting Plants in their Homes; Neo-Vanitas; Miss Blackbirdy’s World; Bullet : Bloom; Primordial Romanticism; Vegetal Time; Resurrecting Roses; Dressing Trees; Engaging the Archetypes; Heirloom Vegetables, BLOOM 15: CURIOSITY, Paris 2007. (Creative Non-Fiction: Design / Fashion / Innovation / Colour / Art)

Touched by the Hand; Plant Packaging; Root Memory; Organic Defense Design; Bulletproof Breath; Urban Oasis, BLOOM 14: REVENGE, Paris, Autumn 2006. (Creative Non-Fiction: Art/Design/Fashion/Biology)

Flowers Saving Flowers; Tree; Flower & Leaf Stories, BLOOM 13, Paris, Autumn 2005. (Creative Non-Fiction: Poetry/Horticulture/Design)

Colour Christmas Delft Blue; Prints From the Past, Weaving the World into Being, BLOOM 12, Paris, Winter 2004. (Creative Non-Fiction: Poetry/Horticulture/Sociology/Design)

Chameleon Caravans; The Airborne Spirit of the Dress; Taking Liberties; Salad Dressing; Peeking Under the Skirt; Table Dressing; Free Hair; Sabbatical Fabrics; Drawn to the Tender Detail; Lighting the Darkness; Emil Nolde Watercolours; Siesta; State of Grace; Summer Snapshots; Pearl: Between Beauty and Bijou; Young is Old and Old is New, VIEW ON COLOUR 27: SUMMER DRESSING, Paris, Summer 2004. (Creative Non-Fiction: All Categories)

Rite de Passage; VIEW ON COLOUR 26, Paris, Spring 2004. (Creative Non-Fiction: Horticulture/Natural History/Essay)

Conjuring Hair; Sacred Geometries, VIEW ON COLOUR 25, Paris, Autumn 2003. (Creative Non-Fiction: Fashion/Beauty/Natural History/Essay)

Scent:Smoke:Spirit; Becoming a Tree; Iris (Flower Colourcard); Flora Appasionata;Tulip Skirts; Golden Globe, BLOOM 11: CELEBRATION, Paris, Autumn 2003. (Creative Non-Fiction: Horticulture/Natural History/Essay)

Jardins des Simples, VIEW ON COLOUR 24, Paris, Summer 2003. (Commercial Non-Fiction: Design/History/Horticulture)

Big, Bigger, Biggest: The Bowls of Lars Zech, BLOOM 10, Paris, Spring 2003. (Commercial Non-Fiction: Design/Interview)

An IV of Nature: The Greening of Medicine, BLOOM 10, Paris, Spring 2003. (Commercial Non-Fiction: Science/Politics/Feature)

The Good Root, BLOOM 10, Paris, Spring 2003. (Creative Non-Fiction: Horticulture/Natural History/Essay)

Fashioning the Lily, BLOOM 10, Paris, Spring 2003. (Creative Non-Fiction: Fashion) 

Silvery Criss/Cross Palm Plaits Leaf Light, BLOOM 10, Paris, Spring 2003. (Creative Non-Fiction: Beauty/Hair)

Nomadic Bouquet; A Botanical in Glass; Woodland Jewels; Christmas Ritual for All Seasons, BLOOM 10, Paris, Spring 2003. (Creative Non-Fiction: Poetry/Horticulture/Design)

Believe in the Holy Contour of Life; Flower/Girl; Parking Lot Paradise; Flower Tea Song; Green Manifesto, BLOOM 9, Paris, Winter 2003 (Creative Non-Fiction: Poetry/Horticulture/Design)

Wild at Heart, BLOOM 9, Paris, Winter 2003. (Creative Non-Fiction: Horticulture)

A Botanical Seduction in Three Colours, BLOOM 9, Paris, Winter 2003. (Creative Non-Fiction: Beauty/Essay)

Loie Fuller: Dance of the Wind, BLOOM 9, Paris, Winter 2003. (Creative Non-Fiction: Textiles/Dance/Feature)

Flower/Bomb, BLOOM 9, Paris, Winter 2003. (Creative Non-Fiction: Poetry/Horticulture)

Gardenia: Earth Angel, BLOOM 9, Paris, Winter 2003.(Creative Non-Fiction: Horticulture/Fashion)

The Flowering, BLOOM 8, Paris, Summer 2002. (Creative Non-Fiction: Horticulture/Essay)

The Tree of Life, BLOOM 7, Paris, Winter 2002. (Creative Non-Fiction / Poetry Component) 

Mushroom Hunting and Gathering, VIEW ON COLOUR 22, Paris, Winter 2002 (Commercial Non-Fiction: Natural History/Feature)

Cork: Substance of Sanctuary, INVIEW 20, Paris, Autumn 2002. (Commercial Non-Fiction: Design/Essay)

Seeds for Tomorrow, BLOOM 8, Paris, Summer 2002. (Commercial Non-Fiction: Horticulture/Feature)

On Cleaning, INVIEW 19, Paris, Winter 2002. (Commercial Non-Fiction: Design/Essay)

Hairwork, INVIEW 19, Paris,  Winter 2002. (Commercial Non-Fiction: Fashion/Design/Feature)

The Egg: Nature's PerfectPackage, EAT 07, Tokyo, October 2001. (Commercial Non-Fiction: Food/Culture/Essay)

Gender: Hunters & Collectors,  EAT 06, Tokyo, August 2001. (Commercial Non-Fiction: Food/Culture)

Some Yin for YourYang: Turning the Tables,  EAT 06, Tokyo, August 2001. (Commercial Non-Fiction: Food/Culture/Essay)

Pasta Pastina Pastona: The Passion of Pasta, EAT 05, Tokyo, June 2001. (Commercial Non-Fiction: Food/Culture/Essay)

Geometries of Light, INVIEW 18, Paris, Autumn 2001. (Commercial Non-Fiction: Science/Culture/Essay)

Maxims: Ettore Sottsass, translation of interview from the French, INVIEW 17, Paris, Winter 2001. (Commercial Non-Fiction: Design/Translation)

Dewscape: An Invitation to Reverie, BLOOM 6, Paris, Summer 2001. (Commercial Non-Fiction: Design/Science/Essay)

Bulbs, BLOOM 6, Paris, Summer 2001. (Commercial Non-Fiction: Design/Horticulture/Essay)

Beauty East & West, THE JAPAN TIMES, Tokyo, 1986 - 2001. Illustrated by the author; pen and ink drawings. (Commercial Non-Fiction: Beauty Column)

My Pet Robot, VIEW ON COLOUR 18, Paris, Autumn 2000. (Commercial Non-Fiction: Design/Science/Feature)

Flying Colours, VIEW ON COLOUR 17, Paris, Autumn 2000. (Commercial Non-Fiction: Design/Fashion)

Composing a Manifesto in Colour, VIEW ON COLOUR 17, Paris, Autumn 2000. (Commercial Non-Fiction: Design/Fashion/Essay)

Amazing Grace, article on artist-decorated churches in Provence, ARTNEWS, New York, April 1999. (Commercial Non-Fiction: Art/Travel)

Cristina the Astonishing, review of poetry book, TIMES LITERARY REVIEW, London, 1998. (Literary Review)

Seven Foods, Five Colours,  SAWASDEE, Hong Kong, Nov. 1997. (Creative Non-Fiction: Essay)

Rice Paper House, SAWASDEE, Hong Kong, July 1997. (Creative Non-Fiction: Essay)

Asia: The Spirit ofPlace, SAWASDEE, Hong Kong, February 1997. (Creative Non-Fiction: Travel/Memoir)

Body & Soul, WINGSPAN Magazine, Tokyo, April 1995 - April 1996. Illustrated by the author; watercolour and ink paintings. (Commercial Non-Fiction: Beauty Column)

Sugared Winds, Distant Days, Bones, DISCOVERY, Hong Kong, December 1994. (Creative Non-Fiction: Travel/Essay)

Zen and the Art of Loveliness, SELF Magazine, New York, August 1993. (Commercial Non-Fiction: Beauty)

The City as Muse: Artists of Paris, WINGSPAN, Tokyo, November 1992. (Journalism: Travel/Art)

Alchemical Airs, WINGSPAN, Tokyo, October 1992. (Commercial Non-Fiction: Travel/Art)

Me Jane, WINGSPAN, Tokyo, April 1992. (Commercial Non-Fiction: Adventure/Travel)

Primordial Soup with Mushrooms, WINDS Magazine, Tokyo, March 1992. Illustrated by the author; watercolour paintings. (Commercial Non-Fiction: Profile)

Stone Paper Scissors, WINDS, Tokyo,  January 1992. (Creative Non-Fiction: Travel/Essay)

Invisible Woman: The Japanese Concept of Beauty, WINDS, March 1991. (Commercial Non-Fiction: Culture/Feature)

Mystic Mountains: The Sacred Path of the Yamabushi, WINGSPAN, Tokyo, October 1991. Illustrated by the author; sumi-e paintings. (Commercial Non-Fiction: Adventure/Travel)

The Ultimate Antidote: An Inn Near Kyoto, WINGSPAN,  September 1991. Illustrated by the author; coloured pencil, ink, watercolour, mixed media. (Commercial Non-Fiction:Travel)

Illustrations:                                               (as noted above, plus the following:)

Paintings, drawings, and photography for AWAITING A LOVER, bauch+lizieri, Viking Studio, Penguin Putnam, New York, February 2000.

Mixed media paintings, for series of Japanese fairy tales retold by Bruce Leigh, THE FOUNTAINS Magazine, Tokyo, 1994 - 1996.

Nihon-Zone, weekly comic strip created by the artist, THE JAPAN TIMES, 1989 - 1997.

Pen and ink drawings, Close Encounters of the Strange Kind, weekly humour column by B. Leigh, THE JAPAN TIMES, 1985 - 1992.

Pen and ink illustrations, A New Father's Field Guide, quarterly column by Bruce Leigh, MOTHERING Magazine, Santa Fe, 1984 - 1986.

Cover print and woodblock illustrations, THE GOLF BALL DIVER, poetry by Neal Bowers, New Rivers Press, 1983.